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A girls-only private boarding school.
![Araya commenced study in art at Chang Silpa College of Fine Art, Bangkok. [an art technical college]](https://100tonsonfoundation.org/wp-content/uploads/2025/10/Screenshot-2025-10-16-170039.png)
![Araya graduated from Chang Silpa College of Fine Art; entered Silpakorn [Fine Arts] University, Bangkok.](https://100tonsonfoundation.org/wp-content/uploads/2025/10/Screenshot-2025-10-15-164844.png)
using Intaglio.
using Intaglio, Size: 92 x 74 cm Courtesy the artist and Silpakorn University Central Library, Bangkok.
using Intaglio.
Graduates with Bachelor of Fine Art in Graphic Art, Silpakorn University, Bangkok. Teachers were Kanya Charoensukul (her only female teacher), Chalood Nimsamer, Pisanu Suphanimit, Thuan Thirapichit, Pichay Kulsuthol. Student peers included Thavorn Ko-Udomvit (later owner of Ardel Gallery where Araya exhibited in 2009 and 2012). In 2013, Araya is still in fairly regular email conversation with Chalood and Pisanu.
using Intaglio.
using Intaglio.
using Intaglio.
using Intaglio.
using Photo Etching.
using Photo Etching.
using Intaglio.
using Photo Etching.
using Photo Etching.
using Intaglio, Size: 68 x 95 cm Courtesy the artist and Silpakorn University Art Centre, Bangkok.
using Intaglio, Size: 89 x 140 cm Courtesy the artist and Silpakorn University Art Centre, Bangkok.
A Painful Psyche (1985) Intaglio print 68 x 95 cm Courtesy the artist and Silpakorn University Art Centre, Bangkok.
using Photo Etching.
using Photo Etching.
using Intaglio.
using Intaglio.
using Intaglio.
using Photo Etching.
using Intaglio.
using Intaglio.
using Intaglio.
Exhibited Travel Of No Return, Human Life, The Day Of Dreary Sky, The Day Of Dreary Sky 2, That Remains After The Rains, Emotion, Power And Loneliness, In A Flower Bad, Dead Of Night, Memorial Box, Olden Power
Title: The Birth 1, 1989
Technique: Photo Etching, Hardground,
Relief Etching, Aquatint
Image Size: 66 x 89 cm
Title: The Birth 2, 1989
Technique: Photo Etching, Hardground,
Relief Etching, Aquatint
Image Size: 49 x 82 cm
Title: The Birth 3, 1989
Technique: Photo Etching, Hardground
Relief Etching, Aquatint
Image Size: 49 x 82 cm
Title: The Birth 4, 1989
Technique: Photo Etching, Hardground,
Relief Etching, Aquatint
Image Size: 49 x 74 cm
Title: A Park in Stuttgart, 1989
Technique: Hardground, Aquatint
Image Size: 22 x 35 cm
Title: Near by The Village, 1989
Technique: Hardground, Aquatint
Image Size: 22 x 33 cm
Title: Old Age Pension in Osterode, 1989
Technique: Hardground, Aquatint
Image Size: 22 x 33 cm
Title: The Woman at The Sea, 1989
Technique: Hardground, Drypoint, Aquatint
Image Size: 50 x 82 cm
Title: Sleeping 1, 1989
Technique: Relief Etching, Aquatint,
Serigraph
Image Size: 20 x 25 cm
Title: Sleeping 2, 1989
Technique: Relief Etching, Aquatint, Serigraph
Image Size: 20 x 25 cm
Sartorius, Malte. (1990). Graphic 1989-1990: Exhibition Catalogue. Braunschweig: HBK
www.intratext.com/ixt/DEU0021/_P2A.HTM
Title: Mother and I, 1990
Technique: Relief Etching, Aquatint
Image Size: 66 x 80 cm
Title: When We Were Young 1, 1990
Technique: Relief Etching, Aquatint
Image Size: 39 x 42 cm
Title: The Day We Leave, 1990
Technique: Relief Etching, Aquatint
Image Size: 40 x 79 cm
Title: The Dream of Mother, 1990
Technique: Aquatint
Image Size: 39 x 92 cm
Title: Look Into The Star, 1990
Technique: Aquatint
Image Size: 47 x 81 cm
Title: When We Were Young 2, 1990
Technique: Relief Etching, Aquatint
Image Size: 48 x 92 cm
Title: When We Were Young 3, 1990
Technique: Relief Etching, Aquatint
Image Size: 39 x 92 cm
Title: When We Were Young 4, 1990
Technique: Relief Etching, Aquatint
Image Size: 50 x 94 cm
Title: The Quiet Garden, 1990
Technique: Relief Etching, Aquatint,Serigraph
Image Size: 15 x 50 cm
Title: The Shadow Beside Me, 1990
Technique: Relief Etching, Aquatint, Serigraph
Image Size: 32 x 40 cm
Title: The Parting 1, 1990
Technique: Relief Etching, Aquatint
Image Size: 60 x 80 cm
Title: The Parting 2, 1990
Technique: Relief Etching, Aquatint
Image Size: 60 x 92 cm
Photo Of Women 1, 1990
Resin, Etching Ink On Zinc
93×93 cm
Rainy Day With A Stranger, 1990
Resin, Etching Ink On Zinc
92×123 cm
The Story Of A Little Girl, 1990
Film, Hair, Sand On Wood
92×123 cm
A Woman, 1990
intaglio, Edition: 4.
Size: 78×61 cm
Conversation At Dusk, 1991
Resin, Oil On Zinc
119×162 cm
It Rains Again, 1991
Sand, Etching Ink, Oil On Zinc
121×208 cm
In This Early Morning Sun Shines, 1991
Etching Ink On Zinc
122×204 cm
Sun Shines Again, 1991
Etching Ink On Zinc
111×136 cm
There Was No Sign Of Rain And Shine, 1991
Oil On Zinc
122×187 cm
The Sparrow Flies Back To His Nest, 1991
Etching Ink On Zinc
68×203 cm
Students In The Class 1/1991, 1991
Acid On Zinc
122×218 cm
Then The Letter Was Closed, 1991
Tempera, Sand On Wood
122×244 cm
History Of Little Ones, 1992
Foto, Film, Sand, Hair On Wood
122×244 cm
Students In, 1992, 1992
Acid, Etching Ink On Zinc
122×203 cm
Writing Has Begun Now, 1992
Tempera, Sand On Wood
182×185 cm
Collection of Rat Osathanugrah
Isolated Hands Waiting to be Understood from Feet, 1992
Metal, Plaster
Isolated Hands, 1992
Plaster, Cloth, Wax
Isolated Hands Asking for Help, 1992
Metal, Plaster, Motor Oil
Courtesy the artist and 100 Tonson Gallery, Bangkok
Sometime I Avoid Fun, 1992
Metal, Stone – Lime, Motor Oil
Lue Duang Duan Grotes Astray (1992) Intaglio print 35.5 x 30.5 cm each (25 pieces) Courtesy the artist and 100 Tonson Gallery, Bangkok.
Asian Art News, Vol. 3, No. 5, Sep/Oct 1993.
Three boxes of men and their reflections 1993
Installation comprising metal boxes, etchings, motor oil
92x360x140cm
Collection: The artist
Girl says, ‘There is always the night time’ 1993
Installation comprising metal boat, motor oil, cloth and ‘sa’ paper, hair, resin hands
350x720x60cm
Collection: The artist
Exhibited the installation works Three Boxes of Men and their Reflections and Girl Says, There is always the Night Time.
using Corn-Husk, Metal, and Cloth. Courtesy the artist.
Has the Girl Lost her Memory 2, 1993
installation, dimensions variable.
Courtesy the artist and 100 Tonson Gallery, Bangkok
The Narcissus, 1993
Plaster, Rubber, Metal, Wood, Water
In the Mind of Someone Living, 1993
Metal, Glass, Water, Ash
The Lovers, 1993
Plaster, Metal, Rubber
Water is Never Still, 1993
Wood, Metal, Glass, Water
The Dinner with Cancer, 1993
Room – Installation
The Shadow in White, 1993
Plaster, Metal, Cloth, Wax
The Narcissus II, 1993
Plaster, Metal, Motor Oil
Rainy Day with a Present : from Siremorn, 1993
Drawing – Painting on Zinc Plate and Object
A Stone was in the Deep – River : from Thongchai, 1993
Drawing – Painting on Zinc Plate and Object
Three Narcissuses, 1993
Plaster, Metal, Mirror
She studies with the distinguished conceptual sculptor Heinz-Günther Prager (Professor of Sculpture 1983–2010). Araya takes up sculpture because she is dissatisfied with conservatism of printmaking in Thailand, wants to experiment with something new, and had earlier not been accepted by a Thai sculpture department.
Exhibited artwork includes Isolated Hands Waiting to be Understood from Feet, Isolated Hands, Isolated Hands Asking for Help, Sometime I Avoid Fun, Has Girl Lost her Memory? I, Has Girl Lost her Memory? II, Three Boxes of Men and their Reflections, Box of Man and his Reflection, The Narcissus, In the Mind of Someone Living, Girl Says, There is Always the Night Time, The Lovers, Water is Never Still, The Dinner with Cancer, The Shadow in White, The Narcissus II, Rainy Day with a Present : from Siremorn, A Present for Departure : from Vilailack, The Dream Trees are much Taller than the Day Time Trees : from Joan and Helen, A Stone was in the Deep – River : from Thongchai, Three Narcissuses
Has Girl Lost her Memory (1994) Recreated installation, corn husks and bed frame Dimensions variable Courtesy the artist.
Published by Amarin Printing, which includes five previously written texts by the artist.
Third Text Summer 1995, Vol 9 Issue 31
Exhibited Three Narcissuses
ART and AsiaPacific (Vol. 2, No. 3; Jul 1995)
using materials such as wood, steel, and charcoal, 700 x 100 cm. Collection of Jean-Michel Beurdelay. Courtesy the artist.
using the technique: mixed media.
Buang (Trap), 1995
Installation with wood, metal plates, stone,
clay, and fiberglass
Approx. 500 x 800 × 450 cm
(197 ×315 × 177 in.)
Courtesy of the artist
Exhibited Buang, Time: Object Was Aborted and Prostitute’s Room
This is her first artwork in the form of a video.
Video 15.02 min
Video 6.45 min.
Video 13.32 min.
Exhibition brochure for a show that ran December 11, 1998 through January 17, 1999. Single sheet folded three times to create 8 pages. Features an essay by Jan Jarboe Russell. Includes color illustrations, list of previous exhibitions, and a selected bibliography. A very near fine copy. Uncommon with only 3 copies listed in OCLC.
Published by Amarin Printing and Publishing, this book talk about Araya Rasdjarmrearnsook’s video work ‘Lament past – 1999’, being a meditation on the actuality of death, and associated rituals, and involving the act of reading to corpses – recorded by photographs and on video; b&w and colour photo illustrations/video stills throughout; text in Thai and English; Very Good throughout, wraps lightly rubbed. . 71pp. 4to. Very Good.
Published by Samsee Publishing
Artlink, Vol. 20, No. 2, July
Video 5.59 min.
This video series includes Chant for female corpse 02 and Chant for female corpse 03, both video 3.43 min.
This coincided with her real-life decision not to have a family of her own. This meant not specifically caring only for her own dogs, but also for dogs belonging to people in the village facing economic or health problems, stray dogs, or temple dogs that the monks might not be able to look after thoroughly.
This video series includes Three Female Scapes I, video 9.06 min, Three Female Scapes II, video 8.45 min, and Three Female Scapes III, video 6.39 min
Video 4.32 min., from Thai Melody series
Video 5.23 min., from Thai Melody series
Video 6.17 min., from Thai Melody series
This video series includes Conversation Heads I, video 3.08 min, Conversation Heads II, video 6.37 min, and Conversation Heads III, video 5.53 min
This video series includes Sudsiri & Araya (Sudsiri), video 17.26 min, and Sudsiri & Araya (Araya), video 17.25 min
Video 24.59 min.
Video 5.58 min.
Published by Amarin Publishing.
single-channel video 5.00 min, from The Artist series. Following a brief three-month research trip to Germany, supported by DAAD. Upon returning, Araya walked around her university campus pretending to be pregnant, documenting the performance and her colleagues’ reactions on video.
Curated by Dan Cameron. Exhibited video work Sudsiri & Araya Series, I’m Living
Video 1.45 min.
edited by Laura Hoptman, published by the Carnegie Museum of Art.
Published by Matichon Publishing.
Video 7.52 min.
Video 5.03 min., from Death Seminar series
Video 18.12 min., from Death Seminar series
Video 7.47 min., from The Artist series
Video 16.30 min., from The Class series
This video series includes Conversation I, Conversation II, Conversation III, Conversation IV, Conversation V, each video 11.59 min, and Conversation MIX, a video 52 min, Conversation Uncut, a video 1.00.18 min
thematising Araya’s relationship with dogs, Video 7.32 min., from The Artist series
Exhibited in Reverie and Phantasm in the Epoch of Global Trauma, a joint exhibition with Montien Boonma, curated by Sutee Kunavichayanont, Luckana Kunavichayanont, and Panya Vijinthanasarn. Exhibited The Walk (showing Araya walking among sheet-covered corpses) and The Class (a re-edited compilation of earlier corpse-reading pieces), as well as Conversation I – III and This is our Creations, all video projections with accompanying installations, installation view in the cloister of the Convent of San Francesco della Vigna, Castello.
Video 19.35.19 Mins, incorporating actual slaughterhouse imagery
video 44.21 mins, featuring eleven on-camera interviews with female mental asylum patients.
which collects Araya Rasdjarmrearnsook’s texts and conversations on her works, including the series Conversation with Death on Life’s First Street, Great Times Message: Storytellers of the Town, and The Female Artist and the Insane, published by Matichon Publishing.
Exhibited video piece Wild Princess White Birds, exhibition catalogue, text by kyung ah, Han
Exhibited Great Times Message Storytellers of the Town: the insane, Great Times Message Storytellers of the Town: the female artist
Curated by Anselm Franke, exhibition catalogue text by Dan Cameron. Exhibited: The five-channel work that Araya is presenting in Taipei, “Storytellers of the Village.”
Exhibited media installation In a Blur of Desire I, In a Blur of Desire II, In a Blur of Desire III which will screen the video picture of pigs, cows, and buffaloes that are waiting for their turn in a slaughterhouse.
Exhibited The Nine-Day Pregnancy of a Single Middle-Aged Associate, Professor, Faeces, Life, Love, Lust, The Class, Glom Pee
Exhibited Feces, Life, Love, Lust, Lament (2000), I’m Living, Windows, Wind Princess White Birds
Exhibited The Class I
using metal cabinets, wooden chairs, a TV monitor, and a single-channel video.
Two Planets: Manet’s Luncheon on the Grass and the Thai Villagers, 2008
video, 15:53 min., edition of 5
photograph, 29 ¾ x 29 ¾ in. (75.5 x 75.5 cm), edition of 9
from The Two Planets series
photograph Size: 110 x 100 cm, Video 14.44 min., from The Two Planets series. Courtesy the artist and 100 Tonson Gallery, Bangkok
Two Planets: Van Gogh’s The Midday Sleep and the Thai Villagers, 2008
video, 18:18 min., edition of 5
photograph, 29 ¾ x 29 ¾ in. (75.5 x 75.5 cm), edition of 9
Two Planets: Renoir’s Ball at the Moulin de la Galette and the Thai Villagers, 2008
video, 10:52 min., edition of 5
photograph, 29 ¾ x 29 ¾ in. (75.5 x 75.5 cm), edition of 9
from The Two Planets series
Video 36.53 min.
Video 20.10 min.
Video 20.10 min.
Video 20.22 min.
Video 30.00 min.
Video 49.20 min.
Video 37.24 min.
translated by Chamnongsri Rutnin, Somporn Varnado, and Chantira Kalampasuta, and printed and bound in Thailand by Pimdee Co., Ltd. for ARDEL Gallery of Modern Art.
Exhibited Two Planet Series: Millet’s The Gleaners 1857 and the Thai farmers, Van Gogh’s The Midday Sleep 1889/90 and the Thai villagers, Manet’s Dejeuner sur l’herbe 1862 1863 and the Thai villagers group II
Curated by Dr. Axel Feuss
part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon
part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon
part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon
part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon
part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon
part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon
published by 100 Tonson Gallery.
Exhibited Village and Elsewhere: Thai Villagers and Rembrandt’s The Anatomy Lesson of Dr. Nicolaes Tulp, Village and Elsewhere: Thai Villagers and Artemisia Gentileschi’s Judith of Holofernes, Two Planets: Manet’s Luncheon on the Grass and the Thai Villagers, Two Planets: Renoir’s Ball at the Moulin de la Galette and the Thai Villagers, Two Planets: Van Gogh’s The Midday Sleep and the Thai Villagers, Two Planets: Millet’s The Gleaners and the Thai Farmers, Village and Elsewhere: Artemisia Gentileschi’s Judith Beheading Holofernes, Jeff Koons’ Untitled, and Thai Villagers, Village and Elsewhere: Jeff Koons’ Untitled, Cindy Sherman’s Untitled, and Thai Villagers, Village and Elsewhere: Jeff Koons’ Wolfman in Pakoitai Market and Sunday Market, Village and Elsewhere
Size 24 square meters, in dOCUMENTA 13 at Aue Park, Kassel, Germany, as part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon. Inside the house, displays various component works within the House Installation, including photographic documentation, paintings, photos of the dog (Prince Jood), a printed T-shirt, and various objects.allowing visitors to enter and view them after the artist had left the site on the evening of June 30, 2012.
Performed from 1 – 30 June 2012. This is part of the art project Village and Elsewhere: In this circumstance the sole object of attention should be the treachery of the moon.
Size: 18 3/8 x 27 3/4 inches
using Magrud’s (the dog’s) bandages.
curated by John Clark & Clare Veal, Exhibited Has Girl Lost her Memory, The Class, Great Times Message, Storytellers of the Town, The Insane, Some unexpected events sometimes bring momentary happiness. Afterwards, regret rises in our memory even for bygone hardships, Treachery of the Moon
curated by Apinan Poshyananda. Exhibited Two Planet: Artemisia Gentileschi’s Judith Beheading Holofernes Jeff Koons’ Untitled and Thai Villagers
![Created the two-channel video. Lai Lee Ya [Detail]](https://100tonsonfoundation.org/wp-content/uploads/2025/10/Gif-Lai-Lee-Ya-2015.gif)
Video 11.59 min.
each 10 x 7 in (24.5 x 18.5 cm).
each 12 x 17 in (31 x 42.5 cm).
Size: 23 x 15 in (59 x 30 cm).
exhibited Scapists, The One and Three Niranams, Cuckoo, Village Kids Singing, An Artist With Six Dead Dogs’ Spirits, Hair’s Function, Niranam, In a Blur of Desire, Lai Lee Ya [Detail] on February 19 – April 11, 2015.
published by Tyler Rollins Fine Art
using painted fibreglass, aluminium, light bulbs, and fabric.
Video 35.00 min, collection of the Artist, Singapore Biennale 2016 commission.
Size: 79 x 119.5 cm
hand-painted on a 3D-scanned model, wood, and organza fabrics.
Size: 79 x 119.5 cm
Size: 95 x 155 cm
Painted Resin
This painting is on the cover of her novel A Flowery Cry of Birth
Exhibited Jaonua: The Nothingness, Sanook Dee Museum, Jaonua: The Nothingness, Amusement In Sanook Dee Musuem, Novices Eating Potato Chips In Sanook Dee Museum, Four Monks With Three Ladies In Sanook Dee Museum
Presented video works, including The Cruel, Betweenness in I was just told your work is more or less too sad for Christmas, Niranam Yummayooshi, and the sculpture The Dead Ovary Lullaby, An Artist is Trying to Return to Being A Writer. During this exhibition, she wrote her first Thai novel and launched it after the show, titled A Flowery Cry of Birth, published by 100 Tonson Gallery.
published by Matichon Publishing. The novel was issued in two cover designs — a white cover and a green cover.
after the solo exhibition An Artist is Trying to Return to ‘Being a Writer’.
Exhibited Village and Elsewhere: Artemisia Gentileschi’s Judith Beheading Holofernes, Jeff Koons’ Untitled, and Thai
Villagers
using digital print on Ilford Omnijet canvas, cotton, human hair, dog hair, and stainless steel, Size: 132.5 x 88 x 57 inches (337 x 224 x 145 cm).
using digital print on Ilford Omnijet canvas and 6 papier mache dog heads, Size: dog group – 67.25 x 84 x 12 inches (171 x 213 x 31 cm), text group – 81 x 150 x 1 inches (206 x 381 x 2 cm).
using silkscreen on Fabriano paper, glass vase, book, flowers, and 2 papier mache dogs, Size: 55 x 82 x 10 inches (140 x 208 x 25 cm).
using digital print on Ilford Omnijet canvas and papier mache dog, Size: 69.25 x 112.75 x 10 inches (176 x 286 x 25 cm).
using digital print on Fabriano paper, wooden bench and drying rack, Size: 131 x 40 x 45 inches (333 x 102 x 114 cm).
using digital print on ice silk, aluminum tray, papier mache dog, human hair, and lemons, Size: 104.75 x 78 x 29.25 inches (266 x 198 x 74 cm).
using digital print on Ilford Omnijet canvas, Size: 107 x 106.5 x 1.25 inches (272 x 271 x 3 cm).
using digital print on Ilford Omnijet canvas, wood, headrest, zinc, dog hair, and oil paint, Size: 70 x 73 x 4.5 inches (178 x 185 x 11 cm).
using digital print on Ilford Omnijet canvas, Size: 96 x 52 inches (244 x 132 cm).
using digital print on Ilford Omnijet canvas, book, wicker dog, and acrylic paint, Size: 85 x 133.25 x 18.5 inches (216 x 339 x 47 cm).
using digital video and papier mache dog head, Duration: 34:06 min.
Exhibited A Walk
Exhibited Potpourri, Philosophical Theater of Animals (Detail), A Flowery Birth of Departure, Group Photo, Pending-Suspending ‘Frustration’, Damned Obstetrics, Tender Gloom, Things of Disorder, Psychosis, The First Road, Necessity’s Rhythm
Exhibited Two Planet Series
Exhibited Necessity’s Rhythm
Size: 125 x 255 cm
Size: 125 x 205 cm
published by the National Gallery Singapore, translated by Kong Rithdee.
Video 24.59 min.
Exhibited Philosophical Theatre of Animals, Afterwards, regret rises in our memory even for bygone hardship II, Dogs’ Palatial House
Exhibited Reading Inaow for Female Corpse, 2022.3, 2022.4, curated by Roger Nelson
Exhibited Reading Inaow for Female Corpse, 2022.3, 2022.4, curated by Roger Nelson
exhibited Two Planets: Manet’s Luncheon on the Grass and the Thai Villagers, Two Planets: Millet’s The Gleaners and the Thai Farmers, Two Planets: Van Gogh’s The Midday Sleep and the Thai Villagers
Exhibited video screening Necessity’s Rhythm, Jaonua: The Nothingness (Animal Sightseeing Tour), Dog’s Palatial House
Exhibited Two Planet Series (2008)
Exhibited The Treachery of the Moon
curated by Kittima Chareeprasit and Roger Nelson. Exhibited Inspiration Comes from Different Sides of the Same Sky, Pieta (remade version), Three Narcissuses, Water Never Still, The One and three Niranams, Lai Lee Ya
curated by Kittima Chareeprasit and Roger Nelson. Exhibited Inspiration Comes from Different Sides of the Same Sky, Pieta (remade version), Three Narcissuses, Water Never Still, The One and three Niranams, Lai Lee Ya
![Participated in The Thailand Biennale Phuket 2025: Eternal [Kalpa] at Phuket, Thailand.](https://100tonsonfoundation.org/wp-content/uploads/2025/10/2025-712-tb-phuket.jpg)
Exhibited Pieta (remade), Lai Lee Ya, Dinner with Cancer (Rebirth), Writing has Begun Now
