20251016 - 20260215
Araya Rasdjarmrearnsook: The Same Old Karma
“To give new meaning to the old views, one may have to face the same old karma.”
20250407 - 20250930
SPACE RENOVATION (closed to the public)
SPACE RENOVATION
20241219 - 20250406
PHOTOPSIA by Nat Setthana
Photopsia by Nat Sethana offers visitors a set of visual spectacles that challenge the eye’s perception, prompting a sense of visual absurdity.
Curated by Suphon Niamkamnoet
20240621 - 20241124
Planetary Seed ● จร ● 惑星的共自在性
Planetary Seed < planetary coexistence of self-reliance > is a process-based project aimed at evoking and interweaving worlds and realms that are often difficult to see and feel in modern times. It emerges from continuous research into the endemic wisdom of Thailand and Japan. - Wit Pimkanchanapong and living room for seed
20231130 - 20240526
Matrilineal
"Matrilineal by Jakkai Siributr is a project about personal history. And about national history—insofar as shifting its center of gravity from pivoting events of modern Thailand to personal anecdotes, family stories, and the essence of womanhood. Matrilineal is one such occasion where history’s two folds confront each other"
Curated by Loredana Pazzini-Paracciani
20230622 - 20231111
ALL IS PRETTIER
Informed by the history of painting and modern art, ALL IS PRETTIER. immerses us in a world created by Udomsak Krisanamis that is both about painting and person: an artist and an art form inextricably entwined in a life lived within and beyond the art world.
Curated by Chomwan Weeraworawit
20221126 - 20230528
FIELD COLLAPSE
‘Work-in-progress’ is a recurring trope of architecture. Designers attempt to curate a degree of honest construction, but we’re inevitably constrained by cultural conventions and our egos. Field Collapse is a site for contemplating the tensions between art and architecture, design and making, object and space.”
Savinee Buranasilapin and Tom Dannecker
20220507 - 20221106
Leave it and Break no Hearts
"Phaptawan Suwannakudt and Samak Kosem are led to the edges or fringes of what can be visible or intelligible. In doing so, their work touch the condition of being minor in a social order governed by dominant consciousness"
Curated by Patrick Flores
20210819 - 20220227
A Minor History
Apichatpong Weerasethakul records a story of a distinct period in Isan - Thailand’s northeastern region – an area long socially and politically oppressed. It is the story and memory of common people, minor characters, and dissidents. It also tells of local legends and beliefs in the supernatural.
Curated by Manuporn Luengaram
20201010 - 20210404
HOUSE CALLS
“Some dreams tremble, feel unstable. Turning over to turn over. And waking up to real uncertainties.” - Pinaree Sanpitak
Curated by Kittima Chareeprasit
20191219 - 20200426
Tulapop Saenjaroen
“ Menschen Am Sonntag ” (1930) was one of the first films that marketed itself as “a film with no actors” as it employed only amateur-actors/non-actors. Its anecdote is that the film was shot only on Sundays in 1929 as these non-professional actors had to work on weekdays. What initiated Tulapop to revisit and reinterpret the film was the setting of the story—simply about their day-off, life in free time.
20190523 - 20191103
Takanobu Kobayashi
“I’ve always like food, Witnessing people eating stuff at food stalls, for example, was something that amazed me. Rather than an interest in people, it was something that I felt when seeing people eating” - Takanobu Kobayashi
20181122 - 20190512
Prateep Suthathongthai
A Little Rich Country features paintings and video works, in which Suthathongthai continues to investigate the deep-rooted problems of the Isan region through its historiography and circulation of printed matters that have influenced the image of Isan since the Cold War era.
20181011 - 20181028
Hito Steyerl
"Objects can speak to a viewer, but I feel like when you see a video installation by Hito Steyerl, it talks in such a direct way to you about things that are happening right now, events that are really potent." - Korakrit Arunanondchai
20180622 - 20180923
Dusadee Huntrakul
“I make objects to remember the lives of those around me. Clay has the potential to open up its materiality, economy, and technology of making. With hand built figurines, I want to suggest that information and empathy can be realized through represented touch.” - Dusadee Huntrakul
20180201 - 20180506
Thanet Awsinsiri
"L’Origine du monde" exhibition reflects Thanet’s continued interest in social interactions around the concept of obscenity, pornography and erotica.
20170728 - 20180114
Araya Rasdjarmrearnsook
“Writing is much more exhausting than what I have done over the past 30 years” “I feel like I am becoming a stone” - Araya Rasdjarmrearnsook
20160218 - 20170521
Yuree Kensaku
"I use a volcano as the logo of this exhibition because this exhibition is like an ‘eruption’ of all my uncomfortable feelings." - Yuree Kensaku
20150409 - 20160103
Chatchai Puipia
"For years I have been trying to find and live the way that I wanted, but it's not that easy. I've always had conflict with the meaning of success. Ever since I was young, I never liked being the centre of attention." - Chatchai Puipia