November 30, 2023 - May 26, 2024
Matrilineal
"Matrilineal by Jakkai Siributr is a project about personal history. And about national history—insofar as shifting its center of gravity from pivoting events of modern Thailand to personal anecdotes, family stories, and the essence of womanhood. Matrilineal is one such occasion where history’s two folds confront each other"
Curated by Loredana Pazzini-Paracciani
June 22, 2023 - November 11, 2023
ALL IS PRETTIER
Informed by the history of painting and modern art, ALL IS PRETTIER. immerses us in a world created by Udomsak Krisanamis that is both about painting and person: an artist and an art form inextricably entwined in a life lived within and beyond the art world.
Curated by Chomwan Weeraworawit
November 26, 2022 - May 28, 2023
FIELD COLLAPSE
‘Work-in-progress’ is a recurring trope of architecture. Designers attempt to curate a degree of honest construction, but we’re inevitably constrained by cultural conventions and our egos. Field Collapse is a site for contemplating the tensions between art and architecture, design and making, object and space.”
Savinee Buranasilapin and Tom Dannecker
May 7, 2022 - November 6, 2022
Leave it and Break no Hearts
"Phaptawan Suwannakudt and Samak Kosem are led to the edges or fringes of what can be visible or intelligible. In doing so, their work touch the condition of being minor in a social order governed by dominant consciousness"
Curated by Patrick Flores
August 19, 2021 - February 27, 2022
A Minor History
Apichatpong Weerasethakul records a story of a distinct period in Isan - Thailand’s northeastern region – an area long socially and politically oppressed. It is the story and memory of common people, minor characters, and dissidents. It also tells of local legends and beliefs in the supernatural.
Curated by Manuporn Luengaram
October 10, 2020 - April 4, 2021
HOUSE CALLS
“Some dreams tremble, feel unstable. Turning over to turn over. And waking up to real uncertainties.” - Pinaree Sanpitak
Curated by Kittima Chareeprasit
December 19, 2019 - April 26, 2020
Tulapop Saenjaroen
“ Menschen Am Sonntag ” (1930) was one of the first films that marketed itself as “a film with no actors” as it employed only amateur-actors/non-actors. Its anecdote is that the film was shot only on Sundays in 1929 as these non-professional actors had to work on weekdays. What initiated Tulapop to revisit and reinterpret the film was the setting of the story—simply about their day-off, life in free time.
May 23, 2019 - November 3, 2019
Takanobu Kobayashi
“I’ve always like food, Witnessing people eating stuff at food stalls, for example, was something that amazed me. Rather than an interest in people, it was something that I felt when seeing people eating” - Takanobu Kobayashi
November 22, 2018 - May 12, 2019
Prateep Suthathongthai
A Little Rich Country features paintings and video works, in which Suthathongthai continues to investigate the deep-rooted problems of the Isan region through its historiography and circulation of printed matters that have influenced the image of Isan since the Cold War era.
October 11, 2018 - October 28, 2018
Hito Steyerl
"Objects can speak to a viewer, but I feel like when you see a video installation by Hito Steyerl, it talks in such a direct way to you about things that are happening right now, events that are really potent." - Korakrit Arunanondchai
June 22, 2018 - September 23, 2018
Dusadee Huntrakul
“I make objects to remember the lives of those around me. Clay has the potential to open up its materiality, economy, and technology of making. With hand built figurines, I want to suggest that information and empathy can be realized through represented touch.” - Dusadee Huntrakul
February 1, 2018 - May 6, 2018
Thanet Awsinsiri
"L’Origine du monde" exhibition reflects Thanet’s continued interest in social interactions around the concept of obscenity, pornography and erotica.
July 28, 2017 - January 14, 2018
Araya Rasdjarmrearnsook
“Writing is much more exhausting than what I have done over the past 30 years” “I feel like I am becoming a stone” - Araya Rasdjarmrearnsook
February 18, 2016 - May 21, 2017
Yuree Kensaku
"I use a volcano as the logo of this exhibition because this exhibition is like an ‘eruption’ of all my uncomfortable feelings." - Yuree Kensaku
April 9, 2015 - January 3, 2016
Chatchai Puipia
"For years I have been trying to find and live the way that I wanted, but it's not that easy. I've always had conflict with the meaning of success. Ever since I was young, I never liked being the centre of attention." - Chatchai Puipia