18 Jun 2026 - 04 Oct 2026
DRAWING
Parinot Kunakornwong
Parinot Kunakornwong is exploring drawing as a way of thinking, moving, and observing the world. Through sculpture, drawing panels, and video, the exhibition expands drawing beyond the page, translating everyday observations, sketchbook studies, and performances in Tokyo and Jakarta into a practice that moves across body, space, and memory.
Curated by Dusadee Huntrakul
16 Oct 2025 - 31 May 2026
The Same Old Karma & Textually
Araya Rasdjarmrearnsook
PART 1 - The Same Old Karma: To give new meaning to the old views, one may have to face the same old karma. Curated by Kittima Chareeprasit
PART 2 - Textually: Perhaps it would be Araya textually; if not, then it must be… Some fragments of the days to come. Curated by Earth Songsriwilai
19 Dec 2024 - 06 Apr 2025
PHOTOPSIA
Nat Setthana
Photopsia by Nat Sethana offers visitors a set of visual spectacles that challenge the eye’s perception, prompting a sense of visual absurdity.
Curated by Suphon Niamkamnoet
21 Jun 2024 - 24 Nov 2024
Planetary Seed ● จร ● 惑星的共自在性
Wit Pimkanchanapong, living room for seed
Planetary Seed < planetary coexistence of self-reliance > is a process-based project aimed at evoking and interweaving worlds and realms that are often difficult to see and feel in modern times. It emerges from continuous research into the endemic wisdom of Thailand and Japan. - Wit Pimkanchanapong and living room for seed
30 Nov 2023 - 26 May 2024
Matrilineal
Jakkai Siributr
"Matrilineal by Jakkai Siributr is a project about personal history. And about national history—insofar as shifting its center of gravity from pivoting events of modern Thailand to personal anecdotes, family stories, and the essence of womanhood. Matrilineal is one such occasion where history’s two folds confront each other"
Curated by Loredana Pazzini-Paracciani
22 Jun 2023 - 11 Nov 2023
ALL IS PRETTIER
Udomsak Krisanamis
Informed by the history of painting and modern art, ALL IS PRETTIER. immerses us in a world created by Udomsak Krisanamis that is both about painting and person: an artist and an art form inextricably entwined in a life lived within and beyond the art world.
Curated by Chomwan Weeraworawit
26 Nov 2022 - 28 May 2023
FIELD COLLAPSE
Savinee Buranasilapin, Tom Dannecker
‘Work-in-progress’ is a recurring trope of architecture. Designers attempt to curate a degree of honest construction, but we’re inevitably constrained by cultural conventions and our egos. Field Collapse is a site for contemplating the tensions between art and architecture, design and making, object and space.”
Savinee Buranasilapin and Tom Dannecker
07 May 2022 - 06 Nov 2022
Leave it and Break no Hearts
Phaptawan Suwannakudt, Samak Kosem
"Phaptawan Suwannakudt and Samak Kosem are led to the edges or fringes of what can be visible or intelligible. In doing so, their work touch the condition of being minor in a social order governed by dominant consciousness"
Curated by Patrick Flores
19 Aug 2021 - 27 Feb 2022
A Minor History
Apichatpong Weerasethakul
Apichatpong Weerasethakul records a story of a distinct period in Isan - Thailand’s northeastern region – an area long socially and politically oppressed. It is the story and memory of common people, minor characters, and dissidents. It also tells of local legends and beliefs in the supernatural.
Curated by Manuporn Luengaram
10 Oct 2020 - 04 Apr 2021
HOUSE CALLS
Pinaree Sanpitak
“Some dreams tremble, feel unstable. Turning over to turn over. And waking up to real uncertainties.” - Pinaree Sanpitak
Curated by Kittima Chareeprasit
19 Dec 2019 - 26 Apr 2020
Tulapop Saenjaroen
“ Menschen Am Sonntag ” (1930) was one of the first films that marketed itself as “a film with no actors” as it employed only amateur-actors/non-actors. Its anecdote is that the film was shot only on Sundays in 1929 as these non-professional actors had to work on weekdays. What initiated Tulapop to revisit and reinterpret the film was the setting of the story—simply about their day-off, life in free time.
23 May 2019 - 03 Nov 2019
Takanobu Kobayashi
“I’ve always like food, Witnessing people eating stuff at food stalls, for example, was something that amazed me. Rather than an interest in people, it was something that I felt when seeing people eating” - Takanobu Kobayashi
22 Nov 2018 - 12 May 2019
Prateep Suthathongthai
A Little Rich Country features paintings and video works, in which Suthathongthai continues to investigate the deep-rooted problems of the Isan region through its historiography and circulation of printed matters that have influenced the image of Isan since the Cold War era.
11 Oct 2018 - 28 Oct 2018
Hito Steyerl
"Objects can speak to a viewer, but I feel like when you see a video installation by Hito Steyerl, it talks in such a direct way to you about things that are happening right now, events that are really potent." - Korakrit Arunanondchai
22 Jun 2018 - 23 Sep 2018
Dusadee Huntrakul
“I make objects to remember the lives of those around me. Clay has the potential to open up its materiality, economy, and technology of making. With hand built figurines, I want to suggest that information and empathy can be realized through represented touch.” - Dusadee Huntrakul
01 Feb 2018 - 06 May 2018
Thanet Awsinsiri
"L’Origine du monde" exhibition reflects Thanet’s continued interest in social interactions around the concept of obscenity, pornography and erotica.
28 Jul 2017 - 14 Jan 2018
Araya Rasdjarmrearnsook
“Writing is much more exhausting than what I have done over the past 30 years” “I feel like I am becoming a stone” - Araya Rasdjarmrearnsook
18 Feb 2016 - 21 May 2017
Yuree Kensaku
"I use a volcano as the logo of this exhibition because this exhibition is like an ‘eruption’ of all my uncomfortable feelings." - Yuree Kensaku
09 Apr 2015 - 03 Jan 2016
Chatchai Puipia
"For years I have been trying to find and live the way that I wanted, but it's not that easy. I've always had conflict with the meaning of success. Ever since I was young, I never liked being the centre of attention." - Chatchai Puipia